GEORGE MORL

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From a queer and neurodiverse perspective, my practice explores society’s navigations of affection under modernising technology, documenting our attempts in reaching human contact and emotional reverence. Research projects range from paintings, photographic installations, sculptures, writings, and events which foster alternative social interactions, examining queer dialogues, social inclusion, and the remits between art and science. Utilisation of medical and technological apparatuses are key approaches to art production such as manipulated microscopic visuals exposing the realms of male exercise rituals, photographic documentaries of new-town youth raves, digital coded poems reciting insecurities of gay dating app users, ornate paintings chronicling interaction of online communities and companionship via mobile apps, composed in body-enhancing compounds suffused with flowers, or sculptural landscapes on pigmented crystals attempting to create an alluring utopian vision for lonely individuals to seek solace in. Under a crescendo of imagination and evidence I seek to communicate and reveal comments about digitally-connected societies, perspectives on isolation and alienation, technology and bodies, our pursuits in beauty or hope, composing testimonies of those seeking to be understood or loved.


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🍊 PROGRAMME 🍊

Current, forthcoming and recent projects



29 August 2016

George Morl becomes recepient of UCA Darren Henley Scholarship 2016



04 August 2018

Precious Boys featured in Turner Contemporary’s ‘Platform 2016’



25 June 2016

George Morl nominated for Platform Award 2016




🍊 RECENT WORK 🍊



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