GEORGE MORL

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From a queer and neurodiverse perspective, my practice explores society’s navigations of affection under modernising technology, documenting our attempts in reaching human contact and emotional reverence. Research projects range from paintings, photographic installations, sculptures, poems, writings, and events which foster alternative social interactions, examining queer dialogues, social inclusion, and the remits between art and science. Utilisation of medical and technological apparatuses are key approaches to art production such as manipulated microscopic visuals exposing the realms of male exercise rituals, documentations of new-town and rural youth raves, digital coded poems reciting conversations of insecurities of gay dating app users, ornate paintings composed in body-enhancing compounds suffused with flowers chronicling the interaction of online communities and companionship via mobile apps, or sculptural landscapes on pigmented crystals attempting to create an alluring utopian vision for lonely individuals to seek solace in. Under a crescendo of imagination and evidence I seek to communicate and reveal comments about digitally-connected societies, perspectives on isolation and alienation, technology and bodies, our pursuits in beauty or hope, composing testimonies of those seeking to be understood or loved.


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🍊 PROGRAMME 🍊

Current, forthcoming and recent projects


18 February 2020

Morl shortlisted for Jerwood Newlyn Residency 2020



07 February 2020

Synapses, Sonnets & Self’ 2020 Project launched




17 January 2020

CVAN ‘Dialogues Towards Change’ Bursary Granted To Morl


24 December 2019

Firstsite Collectors Group Bursary Award (2020) awarded to George Morl


25 October 2019

Morl shortlisted for Jerwood Bursary (2019)





🍊 RANDOM ARCHIVE WORK 🍊



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